March - April 2007
Features
“Kinsey and I thought very much alike.”
John Esther talks with the author of Point to Point Navigation
Gore Vidal
In Search of a Lesbian Stage Tradition
Where to begin when all the models are patriarchal ones?
Carolyn Gage
McNally after the “Gay Jesus” Play
The Corpus Christi contro led to a reflection on the power of art
Raymond-Jean Frontain
Sterling Houston, Walkin’ His Blues
Reconstructing the African American experience onstage
Dennis Paddie
A French Response to the Wilde Affair
Pierre Loti went back to a 1685 persecution to voice his protest
Richard Berrong
Am I Permitted to Talk about Me?
How private citizens are being turned into agents of the state
Tom Bianchi
The Life and Legacy of the DOB
Sarah Schulman meets with the author of Different Daughters
Marcia Gallo
Reviews
Christine M. Cano — Proust’s Deadline
Andrew Holleran
Robin Griffiths, editor — British Queer Cinema
Richard Canning
William S. McFeely — Portrait: The Life of Thomas Eakins
Martha E. Stone
Brett Josef Grubisic — The Age of Cities
Daniel A. Burr
Arlene Stein — Shameless: Sexual Dissidence in American Culture
Timothy Stewart-Winter
Susan Gubar — Rooms of Our Own
Martha Miller
Cheryl Clarke — The Days of Good Looks
Christopher Hennessy
Steven Bereznai — Gay and Single ... Forever?
Matthew Hays
Marty Klein, Ph.D. — America’s War on Sex
Ben Akerley
Jeffery P. Dennis — Queering Teen Culture
Thomas March
Briefs
Alan Bennett, writer; Nicholas Hytner, director — The History Boys
John Curlovich
Douglas Carter Beane, playwright — The Little Dog Laughed
Allen Ellenzweig
Poems & Departments
Guest Opinion — How “santorum” Helped Defeat Rick Santorum
Dan Savage
Correspondence 6
Poem — “Driving the Train”
Minnie Bruce Pratt
International Spectrum – EU Countries Divided on Same-Sex Marriage
Poem — “Physical Education”
Alex M. Frankel
Poem — “Savannah”
Brian Brown
Artist’s Profile — Kenneth Anger, Director: Fireworks at Sixty
Matthews Hays
Bullletin Board
